The demos are the grimoire - there is a corresponding demo for every song I have ever released. I've been cursed with a bad memory, so if I do not make a demo of a song, I will forget it. I rarely remember the chords, and I usually require a little help from more musicianly band members to jog my memory. Demos are likewise invaluable before recording any new Wooden Wand album; I will listen to them constantly so as to exactly replicate - or dramatically change - my phrasing on any given song. I like to remember every nuance of my vocal performance because singing is my most important job. I rarely double vocals, but when I do, I'm the double-vocal king. This may seem somewhat at odds with the raucous, off-the-cuff nature of a good deal of my work (and my reputation), but it is this very idea of a single 'control' within the chaos that allows me to truly improvise. These demos were recorded at various times leading up to the recording of Briarwood. It is one of very few WW albums to contain almost all 'newer' material, that is, material written for this specific album and not drawn FIRECD217X from the archives. The album versions are only faithful to the demos in terms of vocals. Everything else was up for discussion, and as you will hear, 809236121738 many things were changed and improved upon. These were all recorded solo, at home in Lexington, KY, on a Roland BR1600 digital 8 track.