Homosexuality has been a part of post-war popular music since its very inception. Until
the early 70s, however, it wasn't talked about openly in that world: it was coded, hidden,
secret. This of course mirrored society - during the 50s and 60s, the gay community felt
like outcasts: harassed by the police, demonised by the media and politicians,
imprisoned simply for being who they were.
" This compilation spans the time before and after Bowie, reflecting both the coded
nature about the topic in the 50s and 60s and the greater openness that occurred in the
early 70s. It begins in late 1955, with the extraordinary success of Little Richard;
continues through early-60s pop and pop art; Tamla and soul, glam rock, the early 70s
funk and disco that was played in the underground New York clubs, and then moves on
to the omnipresence of disco, in the late 70s.
" This double CD compilation is about freedom - and freedom for all. Whilst some of the
artists identify as LGBTQ+, then or now, some are included simply because they were
played in gay or lesbian clubs - where their lyric or sound proved useful and enjoyable
to the patrons - or because they were shaped in some way by the gay aesthetic or gay
managers. It's a love letter to the entwined world of music and sexuality in all its many
guises and we hope you enjoy the ride.
![THE SPATULAS - BEEHIVE MIND [LP]](http://strypt.com/5504646_150.jpg "THE SPATULAS - BEEHIVE MIND [LP] (POST PRESENT MEDIUM)")
