Rose City Band is celebrated guitarist Ripley Johnson. A prolific songwriter, Johnson started Rose
City Band to have an outlet to explore songwriting styles apart from Wooden Shjips and Moon Duo, where he is often not the lead songwriter. Rose City Band allowed him to follow his musical muses
as they greet him and not be bound by the schedule of bandmates and demands of a touring group.
Stepping out from behind the psychedelic haze that envelops his other output, Rose City Band's lean
yet richly textured arrangements lay bare the beauty of his songcraft. On Earth Trip, Johnson reveals
more of himself than ever before, coloring the project's country-rock twang with a melancholic, wistful
undertone. It charts a journey of personal growth and introspection with surprising honesty, from pining
for summers spent with friends to meditations on space, stillness and the splendor of the natural world.
It continues Rose City Band's celebration of summer warmth and the great outdoors, seen from a new
vantage point, and with newfound appreciation for the freedom and joy that nature provides.
Earth Trip was written during a period of sudden shocks and drastic lifestyle changes for Johnson.
Forced to cancel extensive touring plans for 2020, the guitarist found himself home for an extended
period for the first time in years. No longer in constant motion, he was able to experience and enjoy
the simple pleasures of home life, of being in one place: hikes in nature, bathing outside, and waking
with the dawn. Forming new connections to his surroundings, from tending to a garden to sleeping out
under the stars, Johnson found hope and healing in a more mindful relationship with the natural world.
Themes of recalibration and finding personal space are equally mirrored in Earth Trip's lean produc- tion. Recorded at his home studio in Portland and mixed by Cooper Crain (Bitchin' Bajas, Cave), Johnson makes deft use of space while experimenting with new sonics. Shimmering pedal steel,
woozy harmonica melodies, and stately piano enhance the album's introspective tone without ever
clouding arrangements. Psychedelic elements that nod to Johnson's other projects and influences
still appear throughout, but hover at the edge of perception, a subtle halo adding colour and texture to
Johnson's songwriting rather than taking centrer-stage. He elaborates: "I told Cooper I was trying to
capture that feeling when you take psychedelics and they just start coming on - maybe objects start
buzzing in the edges of your vision, you start seeing slight trails, maybe the characteristics of sound
change subtly. But you're not fully tripping yet. He got the idea right away and his mix really captures
that feeling." Johnson's lithe guitar playing throughout treads a fine line between country and cosmic,
taut melodies spiralling out into long reverb trails or free-form solos buoyed by a breeze, radiating
Through its daring honesty and masteful arrangements, Earth Trip cements Johnson's place as a
singular songwriter of inimitable skill. It's message of mindfulness and our interconnectedness to the
environment expands on a long country and blues music tradition that draws a symbiotic relationship
between storyteller and the land, capturing the beauty of the natural world while also emphasising our
responsibility in preserving it for future generations.