COVER IMAGE
CD released: Jun 17, 2016

Tracklisting:
1. Das Gibt's Nur Einmal - You Are My Lucky Star - Solang Noch Untern Linden - Whispering
2. Wini-wini - Tanze Mit Mir In Den Morgen - Pigalle - Macky Messer
3. In Einer Kleinen Konditorei - Fraulein, Pardon - Alte Kameraden - Was Kann Der Sigismund Daf³r
4. Was Eine Frau Im Fr³hling Trõumt - Zwei Rote Rosen, Ein Zarter Kuss - Wo Hast Du Nur Die Sch÷nen Blauen Augen Her - Sie Will Nicht Blumen Und Nicht Schokolade
5. Sch÷ner Gigolo, Armer Gigolo - Wenn Der Weisse Flieder Wieder Bl³ht - Ich K³sse Ihre Hand, Madam - Ich Hab' Das Frõulein Helen Baden Sehn
6. Kalkutta Liegt Am Ganges - Du, Du, Du - Zuckerpuppe - Junge, Komm Bald Wieder
7. Puppchen, Du Bist Mein Augenstern - Mein Liebling Heisst Mõdi - Gl³hw³rmchen - Wenn Die Elisabeth
8. Weisse Rosen Aus Athen - Ein Schiff Wird Kommen - Rosamunde - Auf Widersehn
9. Gemma
10. Magnolia Blossoms
11. Highland Dream
12. Introduction (Love Theme)
13. Julie In Der Gewalt Ihres Entf³hrers
14. Let's Go Bowling
15. Love Theme
16. Mexican Road Twist 1
17. Forgotten Melody
18. Finale
19. A Swingin' Safari
20. That Happy Feeling
21. Market Day
22. Similau
23. Zambesi
24. Happy Trumpeter
25. Tootie Flutie
26. Black Beauty
27. Skokiaan
JAMES LAST & BERT KAEMPFERT
HAPPY SOUNDS FOREVER
Label: EL
Cat No: ACMEM313CD
Barcode: 5013929331334
Packaging: CD Jewel Case

The Kaempfert selections in this anthology, include many numbers that encapsulate his sound; the international hit 'A Swingin' Safari', 'Highland Dream', and, from the film 90 Minuten nach mitternacht, 'Mexican Road Twist'.Adored by his public and loathed by the critical elite, and known to his UK fans as Hansi, he sold more than 100 million albums around the world in a career spanning six decades. James Last was an international phenomenon; the man who made an industry out of easy listening. James Last's arrangements of British and American pop-music, often performed in non-stop medleys with an emphasis on dancing and having a good time, would become hugely popular with older audiences uncomfortable with the originals. It was the beginning of a strange shadow world in which easy listening would deliver an alternative, more middle-aged, pop culture.