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When Ruff Draft saw its initial release in 2003, J Dilla possessed production skills on par with
anyone in hip-hop - technically and creatively. "At the top of his game," says longtime friend and
collaborator, Karriem Riggins. After years of building while modestly deferring to others of both
greater and lesser notoriety, Dilla finally completed the first solo endeavor on his own label, entirely
on his own terms. The significance of such an autonomous success often gets overlooked, and
partly accounts for why Ruff Draft is one of the lesser-referenced entries in Dilla's oeuvre. "It's a
mysterious little project," says his mother, Maureen Yancey. "But out of his entire career, that was
the happiest time." Prior to recording the EP, Dilla found himself at a crossroads. Estranged from his
label, MCA, and separated from the mother of his youngest daughter, frustration abounded both
personally and professionally. Dilla spent parts of 2002 and 2003 working on an album for MCA that
featured his rapping over contributions from other producers with whom he had connected and
whose music he respected. At the time, he was known primarily for his beats, yet reviled for his
MCing by most anyone not from his hometown of Detroit. The project was to be an intentional freak
of the industry. The project would go on to spur his collaborative album with Madlib, Jaylib, and
would first showcase the template that he would take to his greatest heights with 2006's Donuts.
The Stones Throw reissue of Ruff Draft from 2008 featured remixes of the songs from the album,
done without Dilla s involvement. This version of the album takes Dilla s mixes of
the album and restores his vision for the project. "Straight from the mothafuckin' cassette,"

as he phrased the sound he was going for on the EP's intro.