LP released: Aug 25, 2023

Side A
1. Enrapture - Hinc Ill Lacrim
2. Homage - Magni Nominis Umbra
3. Vestige - Non Omnis Moriar
4. Lure - Pallida Mors
Side B
1. Interlude - Ultima Ratio Regum
2. Reprisal - Malis Avibus
3. Premonition - Lex Talionis
4. Eclipse - Vita Nova
Cat No: HHR202326LP
Barcode: 8715392232619
Packaging: LP Regular

An unique album far ahead of its time in 1999 and an absolute classic! This album mixes
Folk, Death Metal, and Pagan Metal. First time on vinyl!
I was introduced to Hollenthon in 1999 when 'Domus Mundi' was released. 'Domus Mundi'
has since been a favorite album that I always like to hear again, due to its endless replay
value and
unique style that no other Metal band can replicate. All the more amazing since it was all
created and arranged by one man, namely Martin Schirenc, known best for his work in
Pungent Stench.
This album would be best described as Orchestral Extreme Metal, though epic, folky, and
medieval are all also adequate adjectives for this work. Schirenc proves that he is not only a
guitarist, but also a brilliant arranger, integrating Gregorian Chants, Spoken Word, Middle
Eastern ethnic music, native New Zealand war chants, and heaps of classical music into his
Samples range from Rimsky-Korsakoffs 'Sheherezade' to a bagpipe film from the film
Braveheart, to spoken samples from Ridley Scott’s Legend, and a whole lot more. These
samples add such
a unique touch to the album and make it extremely diverse, something you never heard
Schirenc uses simple song structures and employs hooks in his guitar work to keep long
songs and repetitive structures interesting. Variation often also occour, with harmonies being
often as well. The guitar tone is very low end oriented, and the dropped tuning helps
reinforce the very heavy feel that the guitar brings to the table. Basically, Schirenc employs
the guitar in
almost every way possible for a metal band, even adding a great solo at the end of Eclipse
'Vita Nova' which serves as a 2-minute ending to the epic song.
Drumming is top notch, done by Mike Gröger of Raventhrone. It is technical to grab interest
on its own, yet it doesn’t get in the way at all. The production is great. Fills are very nice,
smooth transitions, and the simple time and dynamics, as well as Grögers consistency are
In addition to Schirencs harsh vocals, similar to his Pungent Stench work, there are also
female vocals done by his ex-wife. They add nice diversity to the music, creating even more
and variation to the already unique sound. The keyboards also add a nice touch and are
used sparingly as well. Mostly during sampled orchestral parts, or chants, Schirenc employs
layers of
keyboards to reinforce polyphony, and at first it is very likely you won’t even notice all the
keyboard melodies.
In all, this is one of the most unique and creative albums I have heard, and anyone seeking a
unique metal sound should not hesitate in getting this album. The sheer depth of the album
and its
endless variance make it an album no one should be without in their collection.