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Originally recorded in 1977, following a limited release in 1979, Gh dalia Tazart s debut album, Diasporas, introduced listeners to the surreal, mysterious and truly unclassifiable statement of Tazart s and his out-of-time place in the French avant-garde canon. Born in Paris in 1947 to Judaeo-Spanish parents of Greek descent, Tazart s spent his early career as an autodidact utilizing his knowledge of repetition and collage, coupled with his Ladino linguistic heritage, to create some of the most unique recordings of the late 20th century. Interest in the works of Tazart s truly sparked when artist Steve Stapleton included his follow up album, Tazart s' Transports, in his famed "Nurse With Wound List," thus adding endless curiosity to the folklore behind Tazart s and his mystical entr e. From the onset of Diasporas, looping incantations seemingly pile up at the behest of Tazart s. In almost a prayer-like decree, Tazart s chants to the gods in an undefined whail that is both haunting and spiritually divine. Tazart s unique use of tape loops to capture the disappearing traditions of his family's past creates an atmospheric texture that unexpectedly complements his cut-up, manipulated vocal experiments. While contemporaries within the French avant-garde maneuvered academic theory and rigid tradition, Diasporas strays away from these boundaries, working in Tazart s' invented practice of 'impromuz', a method in which he endlessly records for hours and edits only the moments that display any sense of spontaneous enlightenment. Further emboldening the obtuse nature of Diasporas are the seemingly random recitation of poet St phane Mallarm and the traditional 'Parisian-style' piano accompaniment of experimental composer Michel Chion. Since its initial release over 40 years ago, both Dais Records and Alga Marghen have released reissues of Diasporas in various formats, all of which quickly fell out of print. Dais Records presents an official reissue, newly remastered by Josh Bonati, utilizing the original artwork of Diasporas in its sole album form, for the first time in over four decades