COVER IMAGE
LP released: Aug 18, 2023

Tracklisting:
1. Jerry's Pigeons
2. The Knight Ain't Long Enough
3. Do It Just For Me
4. Shot In The Heart
5. Aye Co'lorado
6. Back In My Arms Again
7. Cornered
8. The Sweetest One
9. Darling I Need You
10. Messin Around
11. Shadowboxing
GENYA RAVAN
URBAN DESIRE (RED LP)
Label: BFD
Cat No: BFD458LPR
Barcode: 819376045832
Packaging: LP (100g)

Urban Desire is Genya Ravan creating music on her terms after artistically successful work
with producers Richard Perry, Jimmy Miller, and Jim Price, along with the three strong
albums she recorded with Ten Wheel Drive. As producer of the prototypical punk band the
Dead Boys and their classic single "Sonic Reducer," Ravan was an essential part of the new
wave explosion of the '70s, which was a blend of punk rock and power pop. Urban Desire is
the quintessential new wave album, and though it caused a stir, it has never fully been
recognized as the groundbreaking work it is. A driving cover of the Supremes hit "Back in My
Arms Again" has guitarists Conrad Taylor and Ritchie Fliegler fragmenting Deep Purple's "My
Woman from Tokyo" riff under Ravan's brilliant New York party atmosphere. That comes
right after her duet with Lou Reed, a tune called "Aye Co'lorado," one of the album's
highlights written by Ravan and keyboard player Charlie Giordano. Classic girl group vocals,
blues sensibilities, and the hard edge of underground rock & roll are the ingredients that
propel "Jerry's Pigeons" and "Cornered," while a John Cale signature tune, "Darling, I Need
You," becomes a barroom brawl -- and that's thanks to the band assembled for this: Bobby
Chen on drums, Don Nossov on bass, along with the aforementioned Fliegler, Taylor, and
Giordano. Ravan's harp playing pushes "Messin Around," which keeps up the intensity -- and
volume. Joe Droukas, who would author the successful "Junkman" duet with Ian Hunter on
Ravan's next outing, ...And I Mean It, brings the disc to a close with his third composition on
Urban Desire, a tune called "Shadowboxing." Genya gets mellow with this performance,
which feels like Ten Wheel Drive meets the Rolling Stones at the "Memory Motel." A bit of a
different groove from the equally profound ...And I Mean It, which was released a year later. -
Joe Viglione, AllMusic

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