The Australian master of the dark synth arts is back and - boy - he is out for blood. We've been missing Marc Dwyer solo project Buzz
Kull since his latest single Last In The Club from late 2019 and since back then we knew he was up to something. At first glimpse, the
minimal wave days of We Were Lovers seem far away now that Marc has gone full Club Body Music with his upcoming new album, but
there is a thread that binds Buzz Kull hits from the past such as Into The Void, Avoiding The Light and New Kind Of Cross with these
ten new cuts: a thread of darkness proper to the most handsome man in the game and that’s here to stay. Echoes of 90’s era Front
242 and Front Line Assembly will resonate from tracks like Fascination and Dead Inside; elements of early body music flirting with the
dark side of British synthpop will rave from the grooves of Dancing with Machines and Man on the Beat, while late 80’s Belgian new
beat cellar-like vibes rise from Do You See and Burn it to the Ground. But Buzz Kull's third full-length is not just about music subgenres
we all know and love, it’s about a feeling that comes alive only with the dark and drives you through the small hours just to leave you
drained and filled at once. The creature of the night is on the loose, the sticky dancefloor its natural habitat, its lust for the upside-down
world of the club can't be cured.
![EERIE WANDA & KRAMER - PRELUDES [7IN]](http://strypt.com/5446018_150.jpg "EERIE WANDA & KRAMER - PRELUDES [7IN] (SHIMMY DISC)")
