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"What Black Lips do so well is tease the horror out of wholesomeness and recast golden-age rock'n'roll in a strange, discomforting light" Pitchfork. It's country music
but not as we know it which begs the question: Have these Bad Kids of 21st Century rock 'n' roll finally grown up on their ninth studio
album? 'Sing In A World That's Falling Apart' continues to flick the middle finger to one and all. This ain't another gaggle of bearded
southern sons fleeing their collective suburban upbringings and collegiate music education. There aren't the usual clich s about
drinking, honkytonks, and heartbreak. These are, after all, the same Black Lips who rescued the waning garage punk subgenre. They
also dug contemporary hip-hop and punk and actualized themselves Like so many dramatic moments in the Black Lips career, 'Sing In
A World That's Falling Apart' was born out of crisis. The band's stylistic evolution through decades of prolific touring and recording took
them where no garage punk band had gone before - huge venues, network television shows, and major music festivals. Here Black Lips
are at their grimiest, most dangerous and equipped with the best collection of songs since the aughts. They roll on with an unapologetic
southern-fried twang, pacing the beast, every now and then dropping a psycho howl into the rubber room madness lurking underneath
the truckstop fireworks. This ain't your granny's country album. And conversely this ain't your mama's Black Lips