2LP released: Feb 05, 2015
(Item no longer available)

1. Bonzo Goes To Washington - 5 Minutes (B-b-b Bombing Mix)
2. Felix - Tiger Stripes (Extended Version)
3. Felix - You Cant Hold Me Down (Extended Version)
4. Clandestine Featuring Ned Sublette - Radio Rhythm (S-i-g-n-a-l S-m-a-r-t) (Extra Cheese Mix)
5. Sounds Of Jhs 126 Brooklyn - Chill Pill (Underwater Mix)
6. Indian Ocean - School Bell/tree House (Original 12" Version)
7. Indian Ocean - Treehouse (Extended Bootleg Edit)
8. Dinosaur L - Go Bang! (Walter Gibbons Mix)
9. Bonzo Goes To Washington - 5 Minutes (R-r-r Radio Mix)
10. Clandestine Featuring Ned Sublette - Radio Rhythm (S-i-g-n-a-l S-m-a-r-t) (Dub Mix) (Killer Whale)
Cat No: TEG3319LP
Barcode: 0829357331915
Packaging: 2LP

Whether it’s Hip Hop, it’s face pointed reverentially to the Old School, or House stealing Disco riffs by the truck load,

people are increasingly intrigued by back-in-the-day. And common to both the aforementioned scenes and much more

is one person, Arthur Russell, a man some regard as the best songwriter of the 20th century.

In 1981 Arthur set up Sleeping Bag Records with Will Socolov. The first release was the album '24-24 Music' as

Dinosaur L. If you’re wondering about the name it would appear Arthur would often use the names of extinct or

near-extinct animals. On one production credit he’s 'Killer Whale, whilst the logo for Sleeping Bag is a Koala bear! Will

remembers how they came up with the name for their label.

'We were joking about names, and James Brown was on with 'Papa’s Got A Brand New Bag' and I was sleeping in a

sleeping bag in my apartment and I kind of made a joke about that, and Arthur said that was a great idea for the name

of the company!'

The line up was pretty much the same as the Loose Joints sessions, (which boasted the Ingram Brothers rhythm

section) and a similar stream-of-conscience approach was taken with the recording itself. Russell arranged the beats

so there’d be a change every 24 bars (hence the title) and the band would have to improvise the songs over the top. He

also made sure he went into the studio when there was a full moon! The album is again very experimental, and makes

occasional uneasy listening but the same magic is very much in evidence.

Arthur would continue to be involved in production and mixing duties for the label, but parted company with Socolov

in 1985. Arthur sadly died of AIDS in 1992 leaving behind many songs; as one obituary put it, it was though he simply

vanished into his music.

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