The Mainstream family of labels was a major source of black
music through the early/mid-70s. Owner Bob Shad was
primarily a jazz producer but had enough nous and
appreciation of soul music to go with current trends. His in-
house arrangers included veteran hit-maker Bert DeCoteaux,
fellow jazzer Wade Marcus and the up-and- coming Patrick
Adams. Adams' production on Chapter Three's 'I'll Never Be
The Same' is soul with an early disco beat; Chocolate Syrup's
uptempo 'You've Got A Lot To Give' is of a similar ilk.
Mainstream had several great harmony vocal groups - Special
Delivery, the Steptones and Eleventh Commandment all
contribute excellent examples of the genre.
The rarely seen or heard flip of Almeta Lattimore's 'These
Memories', 'Oh My Love' sounds equally haunting and is one
of several great Detroit productions co-opted onto Mainstream.
Others include McArthur's very soulful 'I'll Never Trust Love
Again', Charles Beverly's 'The Grass Ain't Greener' and the
Steptones' 'Your Love Is Like The Rising Sun'. Charles Colbert
is a mystery artist whose Mainstream tape of 'Slow Down
World' debuts here. Billy "Sugar Billy" Garner is our BGP label
hero who recorded for the Fast Track subsidiary four years
after his New Day recording of 'I Got Some'.
Shad clearly dug southern soul and licensed in tracks from Lee
Bates, Lenny McDaniel and Randolph Brown; he even issued a
southern ballad by Count Willie & The Dukes. The jazz
influence can be felt mainly from the female singers Ellerine
Harding, Neah Johnson and Alice Clark - all of whom benefited
from Mainstream's jazz track record. Jeany Reynolds made an
impressive big band-backed vocal debut on Mainstream some
years before her disco hits as Jeannie, while veteran New York
balladeer Lenny Welch offers the neglected 'When There's No
Such Thing As Love (It's Over)'.
These twenty plus tracks maintain Mainstream's quality 70s
soul reputation. Compilation and note by Ady Croasdell.