COVER IMAGE
LP released: Feb 14, 2020

Tracklisting:
1. Opening Skit
2. Float
3. Before The World Ends
4. Na Na Drift
5. When The Saints (Interlude)
6. Sad Slutty Baby Wants More For The World
7. Ropeburn
8. W_Me Interlude
9. W_Me
10. No Freedom
11. Breaker Of Chains
12. Sanaa Lathan
13. Honey, Sweetie, Baby
14. Bbygurl
15. Brand Nu .
16. Believe Interlude
17. No Weapon Formed Against You Shall Prosper
18. When The Saints (Reprise)
MHYSA
NEVAEH
Label: HYPERDUB
Cat No: HDBLP047
Barcode: 5055869592819
Packaging: LP Regular

Mhysa, the newest addition to the Hyperdub roster, is 'a popstar for the cyber resistance' hailing from Maryland via New York.
'Nevaeh' is lo-fi R&B with a bedroom feel and challenging lyricism focussed on identity and black experience for the online
generation.
She started 'Nevaeh' in late 2017, shortly after the release of debut album 'Fantasii', recording at home with some input from
Lawd Knows, a frequent collaborator on her Scraaatch project. It is Mhysa's intimate reflection on the black femme experience
from multiple vantage points : sex and sexuality, self-love and self-discovery, black empowerment and lineage, and pleasure or
the lack of it. She describes the album as "a prayer for Black women and femmes to be taken to or find a new and better world
away from the apocalypse ... a safe space, a sort of negro heaven."
'Nevaeh' is deeply personal but easily relatable, its intimacy heightened by scattered acapella moments and interludes
referencing black pop culture, where Mhysa's delicate voice is laid bare, while other tracks reprise the melancholic R&B her
mother raised her on, updated through a queer lens. Conversely, several of the album's tunes have found space in Kode9's club
sets over the last year, like the mischievous 'Sanaa Lathan' and skeletal 'w_me'.
Of this record's progression from the last, Mhysa sought "to be more vulnerable and experiment with vocal range...to write more
complicated vocal melodies that would be harder to do", with her production now experimenting with new techniques, and (often
self-taught) live instrumentation, as is her family tradition.