LP released: Jun 29, 2018
(Item no longer available)

1. Culto Solar - In Altepetl Tonal
2. Suite Al Culto Solar - Xochiyaoyoloh
3. Suite Al Culto Solar - Ketzalkoatl Yauh Miktlan
4. Ipan In Xiktli Metztli
Cat No: MRBLP154
Barcode: 7119691250311
Packaging: LP Regular

Double vinyl LP pressing. 2018 release. Luis Pe|rez was born in Mexico City on July 11, 1951. From 1971 onwards he dedicated much of his time to the research of pre-Columbian instrumentation. This research that allowed him to travel the Mexican territory and study musical traditions of the native peoples of Mexico. He learned directly from the living sources of the music and collected samples of musical instruments and the songs of different native speakers including Maya, Nahuatl, Mazateco, Yoemem, Comcaac, Raramuri, Wixarika and more. His personal collection of native Mexican instruments includes ethnographic instruments still in use by ethnic groups, along with archaeological artifacts some of which are more than 2, 000 years old. He continuously utilizes these instruments in performances, concerts, lectures, exhibitions and recordings, in a sense, keeping them alive. Following a decade playing in Mexico City's psychedelic rock scene, his early solo work was a mixture of sounds derived from his vast array of pre-Hispanic and ethnographic wind and percussions which he managed to blend with electronic devices including tape delay units, electric guitars and synthesizers. During this time, he was given the name Ixoneztli (or "one who makes music") by the legendary curandera Pachita and her son Enrique, to whom, like Alejandro Jodorowsky before him, Luis served as assistant. In 1981, the Mexican government became very interested Pe|rez work and sponsored the production of what became the first recording of the fusion of native Mexican instruments with electronics - entitled Ipan In Xiktli Metztli, in the Nahuatl language, or En el Ombligo de la Luna in Spanish... In the Navel of the Moon. The impact of this recording and subsequent performances among media, ethnomusicologists and audiences alike established Luis Perez Ixoneztli as a precursor to a new musical genre followed by a generation of young Mexican musicians - Ethno-Rock, Ethno-Jazz, Ethno-Experimental and the like. 'El Ombligo de la Luna' reaches us from deep in the past but it also exists entirely outside of time, as Luis Pe|rez 'Ixoneztli's offering to the world - the soul of Mexico channeled through the hands of a master musician.