LP released: Jan 18, 2019

1. Opportunity
2. Car Havana Midi
3. Equivoque
4. Why
5. Lonely Woman
6. Lisiere Island
7. Salta Girls
8. Check Sound Check
9. Blanche De Blanc
10. Lower Mechanism
11. Radio Tashkent
12. Panic In Surabaya
13. Sound Check
14. Ice Exposure
Barcode: 5055869562942
Packaging: LP Regular

Jac Berrocal, David Fenech and Vincent Epplay return with Ice Exposure, their second album for Blackest Ever Black. A sequel and
companion piece of sorts to 2015's Antigravity, its title couldn't be more apt: sonically it is both colder, and more exposed - in the sense
of rawer, more volatile, more vulnerable - than its predecessor, capturing the combustible energy and barely suppressed violence of the
trio's celebrated live performances with aspects of noir jazz, musique concr te, no wave art-rock, sound poetry and spectral electronics
all interpenetrating in unpredictable and exhilarating ways. While there are moments of great sensitivity and even a cautious
romanticism, the prevailing mood is one of anxiety, paranoia, and mounting psychodrama: close your eyes and Ice Exposure feels like a
dissociative H rspiel broadcasting from the seedy backstreets of your own troubled mind. Before he picks up an instrument or opens his
mouth, Berrocal's unique and compelling presence can be felt: a combination of studied, glacial cool and anarchic, in-the-moment
intensity that has served him well over a long and storied career. It was honed during his time as a theatre and film actor, and in the 70s
Paris improv scene, it powered his influential Catalogue group in the 1970s, numerous seminal, sui generis solo sides, and far-sighted
collaborations with the likes of Nurse With Wound, Lol Coxhill, Pascal Comelade and James Chance which have seen him come to be
valorised by two generations of avant-garde agitators and eccentrics. Now in his eighth decade, it comes with an added gravitas,
perhaps, but no less energy or vitality. On Ice Exposure, his lyrical, instantly recognisable trumpet playing is a key feature - see
especially the ghostly, dubwise take on Ornette's 'Lonely Woman', the dissolute exotica of 'Salta Girls', and the sublime echo-chamber
soliloquy 'Opportunity'. But more often it's his voice that commands centre-stage, whether casually discharging surreal poetic
monologues or moaning in animal despair - a vocal tour de force that transcends language and culminates in the Dionysian frenzy of
'Why', Berrocal's half-spoken, half-howled exclamations jostling with David Fenech's slashes of dissonant guitar, over Badalamenti-ish,
panther-stalk drums. Fenech's origins are in the mail-art scene of the early '90s, when he led the Peu Importe collective in Grenoble,
and since then, in addition to his own recordings he has worked as a software developer at IRCAM and played with Jad Fair, Rhys
Chatham and many others. Together with Vincent Epplay he is responsible for Ice Exposure's inspired arrangements and vivid,
vertiginous sound design. Epplay is a visual artist and composer with particular interest in aleatory composition, concrete, and the
reappropriation of vintage sound and film material. He and Fenech fashion a remarkable mise-en-scene for Berrocal to inhabit, one that
embraces cutting-edge electronics while also paying homage to the best traditions of outlaw jazz and libidinous rock'n'roll ('Soundcheck'
invokes the brutish spirit of Berrocal's hero Vince 'Rock N Roll Station' Taylor). On 'Blanche de Blanc', Berrocal's voice is framed by a
groaning, ghoulish orchestra of industrial drones, while 'Equivoque' evokes the most humid and hostile Fourth World landscapes and
'Panic In Surabaya' lives up to its name, a hectic, pulse-quickening concr te collage that leaves you gasping for air. This is a searching
and singular trio operating at the absolute peak of their powers, with an interplay that transcends studio and stage and occurs at an
almost telepathic level. Ice Exposure is a triumph of that group mind, an underworld d rive as life-affirming as it is unnerving and
psychologically precarious.

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