COVER IMAGE
CD released: May 31, 2019

Tracklisting:
1. Kawaji
2. Iroha Ni Konpeitou
3. A Long Wait
4. Hourou
5. Ike Yanagida
6. Hai Hai Gasa
7. Potsun
8. Kinou Wa Mou
9. On The Way Home
10. East Wind
AKIKO YANO
IROHA NI KONPEITU
Label: WEWANTSOUNDS
Cat No: WWSCD18
Barcode: 3700604719823
Packaging: CD Regular

AKIKO YANO'S CULT SECOND STUDIO ALBUM FROM 1977
FEATURING THE CREAM OF TOKYO AND NEW YORK MUSICIANS IN FUNK MODE
Wewantsounds continues its Akiko Yano reissue programme with the release of "Iroha Ni
Konpeitou," another superb Akiko Yano album and one of her funkiest, highlighting her
unmissable singing and songwriting talents. Recorded in Tokyo and New York City, the
album features a superb line up of the best musicians from both cities and sees Yano mixing
Japanese pop with funk and a touch of electronics, playing a wide array of keyboards
programmed by YMO synth wizard Hideki Matsutake. This is the first time the album is
released outside of Japan and this deluxe LP edition includes remastered sound, download
card plus the original 4-page insert with poster, lyrics and full line-up.
"Iroha Ni Konpeitou" is perhaps Akiko Yano's best known album in the Western world not just
because of its striking front cover - a shot by famed photographer Bishin Jumonji featuring
Akiko holding an inflatable dolphin (legend has it all the props and clothes were borrowed
from the set of an Issey Miyake ad), but because the album is one of Akiko's funkiest ones. A
slick mix of Japanese Pop and New York funk, the album was recorded in Tokyo except for
the "Iroha Ni Konpeitou" title track which was recorded in NYC with an all-star line-up
consisting of Rick Marotta, David Spinozza, Will Lee and Nicky Marrero.
For the rest of the album, Akiko is accompanied by some of the best musicians from the
Tokyo music scene gravitating around the groups Happy End and Tin Pan Alley: the
ubiquitous Haruomi Hosono on bass, Tatsuo Hayashi on drums, Shigeru Suzuki on guitar to
name just a few. Interestingly two Hosono compositions are featured on the album, "Ai Ai
Gasa" which he recorded on his 1973 landmark debut "Hosono House" and "Hourou"
originally recorded in 75 by singer and musician Chu Kosaka (on the eponymous album
"Horo").
Last but not least Hideki Matsutake is handling the keyboard programming duties on the
album as Yano is playing a wide array of keyboards: Moog IIIc, Mini Moog, String Ensemble,
on top of the Fender Rhodes, Clavinet, Yamaha CP7C. Matsutake would soon become
programmer in chief for YMO, touring and playing with them around the world (like Yano
herself). Although the album feels very accessible and funky, there are complex keyboard
layers underneath as on the first short introduction 'KAWAJI', a short electro fantasy, or on
such tracks as "Ai Ai Gasa" and "Kino Wa Mou" on which Akiko is playing bass with her Moog,
making the album a richly textured and inventive one once you scratch its surface. The
tracks on the album flow effortlessly also highlighting Akiko Yano's superb songwriting and
knack for creating fascinating pop song.
"Iroha Ni Konpeitou" sounds as fresh and beautiful as when it first came out more than forty
years ago and will please the growing circle of Akiko Yano fans around the world as a
welcome addition to her brilliant discography.

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